FEATURES: Alumni Stories

Texprint alumna stories: Cherica Haye, designer, Rolls-Royce Bespoke

17 April 2017 by Roger Tredre

Cherica Haye, a Texprint designer in 2013, now creates beautiful car interiors for Rolls-Royce.

She’s a designer who specialises in material makeup and innovation for the luxury goods sector. Cherica Haye, who initially studied textiles at Central Saint Martins, became interested in the sector while building a portfolio of conceptual textiles for carmakers at the Royal College of Art.

After Texprint, Rolls-Royce design director Giles Taylor invited her to join the bespoke division of Rolls-Royce, the studio of designers and artisans who create the marque’s most prestigious custom models.

Her work includes the Serenity Phantom, displayed at the 2015 Geneva Motor Show, and praised by CNN as “the world’s most beautiful Rolls-Royce”. The interior of the Serenity Phantom was upholstered with pastel green raw silk, sourced from Suzhou, China and woven in the UK. Flowers referencing Japanese royal robes and chinoiserie were embroidered and hand-painted. Simply beautiful.

Cherica reviewing material finishes at the Rolls-Royce studios

Tell us about how you came to work for Rolls-Royce Bespoke.

At my RCA Graduation show in 2013 I was introduced to Giles Taylor, and had the opportunity to present my work to him and talk him through the conceptual thinking behind it. Mr Taylor took my details and about a year later, whilst working for Lululemon in Vancouver [Cherica had won a Lululemon Texprint Award, which included a three-month internship], an opportunity became available for me to join the Rolls-Royce colour and materials team. I started in Goodwood in July 2014.

Where is the studio based, and how many designers are in the team from what kind of backgrounds? 

The Rolls-Royce Bespoke design studio is set in in the beautiful West Sussex countryside in Goodwood, England. Goodwood is the home of Rolls-Royce, where every car has been handbuilt since 2003. Bespoke design is currently home to a team of 20 designers, including one intern and two bespoke design engineers. Each designer brings specialised expertise to the team in a variety of fields, not just from the world of automotive design.

Embroidered and hand-painted detailing

Rolls-Royce (and you) received some excellent publicity for the Serenity Phantom shown in Geneva in 2015. How did that come about?

The Serenity Phantom was one of the very first projects I worked on when I joined the team in Goodwood. It was incredibly exciting and not at all what I expected! I was really amazed at the possibilities we had at our fingertips at Rolls-Royce, and how some of our customers trust our taste to the extent that we have almost a free reign on the design, layout and aesthetic. With Serenity, the head of Colour and Materials at the time really wanted to create something exceptional to elevate the brand and enchant our patrons. My background in textiles and as a weave designer/maker fitted perfectly to the one-off nature of this project, as I am used to making unique, one-off materials to suit each client.

Serenity introduced a completely new level of individualised luxury to a modern Rolls-Royce. We were inspired by the amazing interiors of elite Rolls-Royces of the past, where leather was seen as a more functional material, and high-end bespoke fabrics and silks were seen as the ultimate luxury. We felt inspired to share this heritage with our customers in a very modern, contemporary way.

Interior of the bespoke Serenity Phantom shown in Geneva 2015

You studied as a textiles designer at CSM and the RCA. What are the additional skill sets you need to design car interiors?

Along with a strong knowledge of materials, fabric construction and design, a good working level knowledge of how to use the Adobe suite of programs (Photoshop, Illustrator) will really help you visualise your ideas quickly and effectively. You also have to be prepared to learn a lot about the additional factors in addition to design that affect a car interior – safety, construction and durability all play a part.

Has your own design aesthetic evolved since you left the RCA?

I would say so. I think I have become more of a perfectionist with a much more intense attention to detail.

Where do you find your inspiration?

My background in fashion naturally means that couture is a big influence, but I also find inspiration in nature and architecture. I especially like using them together. I find that the juxtaposition of these subjects brings unexpected beauty. 

So how would you bespoke decorate a Rolls-Royce for yourself?

I would have everything Bespoke. Come to think of it, I would probably create a car from the ground up, because for me a Rolls-Royce is a work of art and should be passed down from generations to generations like one-off couture garments. 

To start, the model of my choice would have to be a Phantom bespoked with a one-off exterior two-tone paint, which has paint technology that allows the paint colour to do a complete shift from one colour to another when seen at different angles. The colour palette is inspired by the vibrant natural world of the tropics and my travels.

For the interior, I would have all the seat front tailored with layered woven silk. The seat backs and the driver’s seat would be colour matched to the fabric and covered in leather. The interior environment would be complementary to the exterior, adding considered colour/material breakup throughout that tell an authentic story.

And to finish, I would most definitely add Rolls-Royce signature starlight headliner (the headliner features a series of fiber-optic lights mounted inside the ceiling of the car, the design of which is unique to the owner, and looks like star constellations in the sky).

Interior of the bespoke Serenity Phantom shown in Geneva 2015

 

 

Alumnus update: Mikey Womack, Design Union and Textile View

08 April 2017 by Editor

It’s certainly unusual for a young textile designer to see his work on the front cover of an international magazine just months after graduation.  But thanks to the keen…

Read more >

Alumna stories: Elmina Fors, knitwear designer

25 March 2017 by Roger Tredre

Swedish knitwear designer Elmina Fors has built her own small business following her experience at Texprint in 2014. And small can be very beautiful.

She comes from a…

Read more >

Alumna Stories: Sarah Podlesny, The Aviary Studio

24 January 2017 by Elli Weir

Texprint alumna Sarah Podlesny has worked at Zara Home and designed for many famous names. Now she has set up her own weaving and design consultancy, The Aviary Studio.…

Read more >

Alumna Stories: Jayne Goulding

09 November 2016 by Roger Tredre

She was a last-minute pick for Texprint 2015, but turned into one of the year’s biggest success stories. We speak to Jayne Goulding.

A last minute drop-out from…

Read more >

Meet the Sponsor: Julie Davies, The Woolmark Company

02 November 2016 by Roger Tredre

Judging The Woolmark Company Texprint Award 2016 at Première Vision Designs

Texprint has worked with TWC for much of its 40-year existence, and the synergy of interests between the two parties has been nurtured by a succession of remarkable individuals.

Read more >

Texprint alumnae stories: Genevieve Bennett and Philippa Prinsloo

04 October 2016 by Roger Tredre

Genevieve Bennett and her John Lewis Design Collective collection

They met on an art foundation course in Manchester, crossed paths again at the Royal College of Art, and were both selected for Texprint. Now – fast forward…

Read more >

Meet the alumna: Eleanor Pritchard, textile designer

05 July 2016 by Aya Noël

Designer Eleanor Pritchard is known for her clean, geometrical designs and has collaborated with companies ranging from Margaret Howell to Monocle. For Texprint 2016 in London, she has created…

Read more >

Hero mentoring: helping a new generation of designers

21 March 2016 by Roger Tredre

Hilary Scarlett, Hero Mentor and Texprint alumna

Texprint has stepped up its support for new designers through a Hero Mentoring scheme that is proving very popular.

It could be said that Texprint is one giant…

Read more >

Meet the sponsor: Katie Greenyer, creative director, Pentland Group

13 March 2016 by Roger Tredre

Pentland, the fashion, outdoor and sports brand group, is stepping up its sponsorship of Texprint. We spoke to creative director Katie Greenyer, who has been a passionate supporter of…

Read more >

New Delhi Diary: A Textile Designer’s Visual Playground

24 February 2016 by Editor

Texprint 2015 designers ÁineByrne and Bryony Bushe have just spent several months interning with interiors and home accessories company, Cosmique Global, based in Delhi.  Both designers agree, their experiences…

Read more >

Surface View: the Texprint 2016 EDITS collection

15 February 2016 by Editor

A brilliant new home textiles collection from Surface View is a maximalist’s dream – and every designer involved is from Texprint.

The artwork is inspired by nature, while…

Read more >

Texprint alumna story: Charlotte Beevor, surface pattern designer

03 January 2016 by Roger Tredre

Charlotte Beevor at work in her studio

Designer Charlotte Beevor was an award-winning star of Texprint 2014. High time to catch up on her progress since.

Charlotte Beevor’s eye for unusual colour combinations and brilliant…

Read more >

Pioneering partnerships: alumna Emma J Shipley

13 December 2015 by Editor

Emma J Shipley is a supreme collaborator.  Following her graduation from the RCA and selection for Texprint 2012, Shipley has created a successful eponymous brand which takes her other-worldly…

Read more >

Texprint alumna story: Bonnie Kirkwood, woven textiles designer

15 November 2015 by Kathrin Huesgen

Bonnie Kirkwood on her stand at Première Vision Designs, September 2015

Texprint 2004 alumna Bonnie Kirkwood has set up her own business in London designing sophisticated woven fabrics for the high-end global market.

We’re meeting in her London studio…

Read more >

Alumna stories: Materials Alchemist Lauren Bowker

07 November 2015 by Editor

The Unseen's colour-changing headpiece for Selfridges’ Sagittarius Christmas window. Image: Selfridges

As ever Texprint 2011 alumna and materials alchemist Lauren Bowker is creating a stir.  In recent weeks Lauren’s latest work has featured in Vogue, Wired, Dezeen, Creative Review, the…

Read more >

Texprint alumni story: Fairbairn Wolf & Skinner

05 October 2015 by Roger Tredre

FW & S - Jane Zhang, James Skinner and Tali Furman

Three designers from Texprint 2014 have joined forces to create their own London-based printed textiles studio. They launched at Première Vision Designs this September.

There’s Jane Zhang, from…

Read more >

Texprint alumnus story: William Stone, menswear designer

07 September 2015 by Roger Tredre

Young British menswear designer William Stone is attracting increasing interest at London Collections Men, both for his innovative luxury tailoring and his textiles. We spoke to him about his…

Read more >

WGSN report: Texprint 2015 Designers

30 July 2015 by Editor

WGSN is a foundation sponsor of Texprint and believes strongly in the value and importance of supporting emerging creative talent. Its comprehensive report, reproduced below, was written and created…

Read more >

Meet the interviewer: Emma Sewell of Wallace Sewell

30 May 2015 by Roger Tredre

Emma Sewell works with Harriet Wallace-Jones in the London-based studio Wallace Sewell, designing fabrics for both fashion and interior accessories.

She also plays an important role interviewing and…

Read more >

Texprint alumna’s story: Laura Miles, WOVEN Studio

15 May 2015 by Cezary Koralewski

Laura Miles on her stand at Maison d'Exceptions, Première Vision February 2015

Texprint 1997 alumna Laura Miles founded WOVEN Studio at a time when the modern weaving industry appeared to offer few opportunities and few places to intern. After more than…

Read more >

Internship: Cosmique Global, New Delhi

15 April 2015 by Roger Tredre

Texprint 2014 designer Monika Haeussler-Goeschl enjoyed a 10-week internship in New Delhi, India, with Cosmique Global. Here are the edited highlights from her diary:

Expect the unexpected!…

Read more >

Texprint alumna’s story: Egle Vaituleviciute, WLE London

31 March 2015 by Roger Tredre

Egle Vaituleviciute, from Lithuania, was a Texprint knit designer in 2011. Here, she tells us what happened next and how she loves developing her own kind of knitted-weave products.

Read more >

Texprint alumna’s story: Ffion Griffith, Liberty

15 March 2015 by Roger Tredre

Ffion Griffith (right) with Tessa Birch, Liberty Head of Design for Fabrics (left)

Ffion Griffith was a Texprint designer in 2013 and went from us to a year-long internship at Liberty Art Fabrics that has worked out in the best possible…

Read more >

Texprint alumna’s story: Manri Kishimoto, Mannine

26 February 2015 by Jainnie Cho

Mannine at Isetan Japan, autumn winter 2014

An optimistic energy is at the heart of Manri Kishimoto’s designs. The 32-year-old Japanese designer’s prints, bursting with colour and whimsical, nature-inspired themes, would put a smile on anyone’s…

Read more >

Winning the first Miroglio Texprint Award: Charlotte Hetheridge

20 February 2015 by Editor

Back in September 2014 at Indigo/PV, the first Miroglio Texprint Award for Digital Innovation was awarded to print designer and Royal College of Art graduate Charlotte Hetheridge.  Besides…

Read more >

Texprint alumna’s story: Momo Wang, Museum of Friendship

10 December 2014 by Jainnie Cho

Momo Wang at work in a studio at Central Saint Martins

Alumna Momo Wang has progressed quickly and launched her own womenswear label since her time with Texprint in 2011. We spoke to her in London.

Though trained in…

Read more >

From Texprint to academia: Elaine Igoe

24 November 2014 by Roger Tredre

Elaine Igoe (far right) with colleague viewing the work of Flett Bertram at Texprint London, July 2014

Texprint encourages its designers to stay in touch. We love to hear how careers have progressed and share their news. So meet Dr. Elaine Igoe – yes, a doctor…

Read more >

Alumna’s Story: Dominique Caplan, Gainsborough Silk Weaving

14 November 2014 by Jainnie Cho

Two years ago, weave designer Dominique Caplan was fresh out of London’s Central Saint Martins and itching to apply what she’d just learnt. Just one thing stood in her…

Read more >

After Texprint: how designers continue to prosper

13 October 2014 by Roger Tredre

Pepe Lowe and Hannah Hope Johnson, alumnae 2013

New textile designers selected by Texprint take their first steps in the professional world by exhibiting at Indigo in Paris. Later, many of them choose to continue the relationship…

Read more >

From Texprint to Ratti and Louis Vuitton: Andrew Boyd’s story

26 August 2014 by Roger Tredre

Andrew Boyd's studio; a new project underway 2014

This is the story of how a 35-year-old graphic designer from Hartlepool decided to rethink his life – and how Texprint helped him make it happen.

Andrew Boyd…

Read more >

Internship Diary: Florence Angelica Colson at Lululemon Athletica

10 May 2014 by Editor

Team Specialized-Lululemon cycle kit designed by Florence Angelica Colson

Selected in 2013 by Deanne Schweitzer, SVP of Design and Creation at yoga-inspired brand Lululemon Athletica, as one of two winners of the prestigious Lululemon Texprint Award, we catch…

Read more >

Liberty Art Fabrics internship marks Texprint’s first UK industry placement

28 April 2014 by Editor

Kirstie Carey, managing director, wholesale brands at Liberty, with alumna Ffion Griffith

With the aim of selecting and supporting emerging textile design talent, Texprint, in collaboration with long-standing sponsor Liberty Art Fabrics, has established its first industry internship in the UK,…

Read more >

One year on: Israel Parra-Zanabria is making waves in Mexico City

17 December 2013 by Editor

Israel Parra-Zanabria at work in the Timorous Beasties studio in Scotland

One year on, we talk to Texprint 2012 alumnus Israel Parra who was born in Mexico, trained in Scotland, and is now making waves back in his hometown Mexico…

Read more >

WGSN Global Fashion Awards, Emerging Fashion Brand: Emma J Shipley

07 November 2013 by Editor

The WGSN Global Fashion Awards held 5th November saw Texprint alumna Emma J Shipley winning the prestigious Avery Dennison Emerging Fashion Brand Award.

Speaking from the awards venue, the…

Read more >

Sophie Manners: One Year On, now based at Cockpit Arts

29 August 2013 by Editor

Philippa Watkins, journalist, Texprint council member and recently retired RCA senior tutor specialising in weave, catches up with Texprint alumni weaver Sophie Manners.

It has been a busy…

Read more >

Flying high: Nancy Rose Taplin, Artist and Designer

12 August 2013 by

Artist and textile designer Nancy Taplin won the Interiors prize at Texprint in 2009. She was selected, and her prize presented by the artist Grayson Perry, an experience…

Read more >

Jane Coffey: passing on her studio-building experience

20 June 2013 by Editor

Working on the assumption that learning from someone else’s experience can both fast track success and help avoid costly mistakes, Texprint is piloting a new Hero Mentor initiative in…

Read more >

Marie Parsons: My first year at Jaguar

10 June 2013 by Editor

©Marie Parsons: RCA 2011 final collection, laser cut laminate, metal and rubber

Marie Parsons (Texprint 2011) writes for Texprint about her experience of working with auto manufacturer and heritage brand Jaguar:

Jaguar is synonymous with great British design, luxury, and…

Read more >

Emma J Shipley: out of this world storytelling

12 May 2013 by Editor

Emma J Shipley on her stand at Indigo 2011

The work of Emma J Shipley is very much rooted in skilled draftsmanship - her drawings intricate, her storytelling out of this world. These are certainly a great strength,…

Read more >

x close

Texprint is supported by the International textile industry and by British charitable foundations, however as an individual you can also make a difference.

If you love textiles and want to support and encourage the next generation of innovative British-trained textile design talent, please donate to become a Friend of Texprint.

Our online giving is simple and secure. You can choose to make a one-off donation or a recurring (monthly) donation by credit card.

Make a secure online donation today by clicking on the Charities Aid Foundation button below. Thank you for your support!

Registered with the Charity Commission as 1000411