Texprint 2016 at Première Vision Designs
For all Press / PR information
Karoline Newman - Articulate Communication
Phone: +44 (0)20 7735 3668
After Texprint: how designers continue to prosper
13 October 2014 by Roger Tredre
New textile designers selected by Texprint take their first steps in the professional world by exhibiting at Indigo in Paris. Later, many of them choose to continue the relationship with the industry's leading creative textiles show.
Besides the 24 designers who are chosen by Texprint every year to show at Indigo (part of Première Vision Pluriel) in September, there are plenty of other former Texprint designers along the aisles – now operating independently and thriving in their own right.
This year, we tracked down two alumnae, Hannah Hope Johnson and Pepe Lowe, who were with Texprint as recently as 2013. Now they're sharing a stand together – a sensible cost-saving decision, also helped by support from UKFT – and are enjoying working in the 'real' world.
Pepe Lowe (left) and Hannah Hope Johnson (right)
Hannah Hope Johnson, who studied at Leeds School of Art, can't stop talking about her experience since she was with Texprint – and her enthusiasm is infectious. "After Indigo I was approached by a couple of London-based studios. I had interviews at both and was offered design positions at both. In the end, I decided not to take up either offer, it was a gamble, but a decision I am now pleased with. I saw that working in a studio didn't give me the creative freedom I was looking for."
The designer shows us her new work, focusing on dark romantic florals. "The geometrics inspired by Art Deco were part of my graduation collection, but during the Texprint exhibition in London I found a lot of people looking through my other work and admiring my florals. So I showed light summer florals at Indigo in February. And now I'm developing them in a darker direction."
Hope Johnson is now living in Paris with her French boyfriend and working with the founder of a new accessories label launching in 2015. "She's offered me a fantastic contract where I work three or four days a week for her and on my days off I dedicate my time to painting and creating my own collection of prints."
Separately, Pepe Lowe has launched a digital print silk womenswear line under her own name. She likes to play with free-flowing colours, textures and patterns together with a rigid grid or controlled line. "I translate these ideas into fabric either through digital or hand stitch, together with digital prints from either my photographs or drawings."
She recalls: "Texprint was exactly what I needed after finishing at Chelsea College of Arts. That extra push after the final show was perfect – it set me up for the past year. Doing the Texprint shows in London and Paris really helped me form some of my first connections with companies I would not have had a chance to meet."
The fond memories are shared by designers who were with Texprint much earlier. Lisa Jukes was a Texprint designer back in 1998 and now shows at Indigo with designer Emily Sedgwick as Code Studio. "I don't think we could have done it without Texprint. It was such an eye opener into the industry, such an invaluable support. Some of those early contacts are still clients today."
Lisa Jukes of Code Studio
Jukes, who is a print specialist, found Texprint to be the perfect springboard. "It was actually more beneficial than my degree show because it placed us in the commercial arena. The whole experience was tremendous."
Many Texprint designers are now working in major jobs at some of the biggest exhibitors at Première Vision. For example, Italian giant Miroglio Textiles has an Irish senior print designer, Louise Somers, who took part in Texprint herself six years ago. And Miroglio now sponsors an Award with Texprint – to the delight of Somers, who landed her first job when she showed with Texprint back in 2008. The wheel has truly come full circle.
Texprint first: Miroglio’s new internship award
30 September 2014 by Roger Tredre
Leading Italian print specialist Miroglio Textile is sponsoring a new Texprint award that provides an opportunity for a young designer to work at the company. Designer Charlotte Hetheridge is the first winner.
It's one of the world's leading textile companies. An iconic name dating back to the 19th century when Carlo and Angela Miroglio opened a draper's shop in Alba.
Now Miroglio is at the heart of investment and innovation in textile design and manufacture, particularly in digital technology. Which makes the introduction of the new Miroglio Texprint Award for Digital Innovation a landmark moment in the evolution of Texprint, a charity set up to help new designers develop their careers.
The winner of the award is Charlotte Hetheridge, who studied print design at London's Royal College of Art. Besides winning a cash prize, Hetheridge has the opportunity to go to the company’s headquarters in Piedmont, Italy, and gain experience and exposure to the marketplace.
She says: "It's such a fantastic opportunity to develop my work. I'm completely overwhelmed and thrilled. My work has always been a mix of handcraft and digital – it's amazing that we are on the same page."
The prize has been initiated by Elena Miroglio, vice president of the Miroglio Group, and commercial director Chiaretto Calo. Elena Miroglio says: "We believe in education and we are on a constant quest to find new creative processes to bring to the company."
Speaking at the presentation at Première Vision Pluriel (September 17), Chiaretto Calo said: “Our philosophy is to push the boundaries of what is possible in textiles, combining creativity with high technology."
At Première Vision Pluriel, Miroglio Textile was promoting its new DMIx technical facility, developed with hardware and software specialists such as Caddon, Epson, EFI and Color Digital. The ground-breaking new technology enables Miroglio to reliably translate the visual impression of the colours and patterns shown on a mood board into identical production colours. It's a huge step forward for digital printing and confirms the company's status as a true technological pioneer.
Miroglio Textile is a long-time supporter of Texprint and the company’s senior print designer Louise Somers took part in Texprint herself back in 2008. "I remember coming to London for my first interview," she recalls. "I couldn't believe that a charity like this existed. It seemed like a dream! If you don't have connections, it can be so difficult to get going in a career."
Louise Somers on the Miroglio Textiles stand at Première Vision, September 2014
Somers, from Dublin, had studied printed textiles at Glasgow School of Art. "At Texprint, I didn't win the Print prize, but I got offered a job! I sold a lot of work. I had created lots of unusual illustrations, quite organically, not obviously commercial, with a different hand-feel. In Paris, an Italian mill offered me a job in Como. Two weeks later I was in Italy."
Later, back in London, Somers worked for four years at innovative retailer Ted Baker, designing prints for menswear and womenswear. And then came the opportunity to work at Miroglio. She is still based in London but travels between a studio in the centre of town and Miroglio's Italian headquarters. She says: "I focus on prints, particularly for the UK and Northern Europe markets. It's about being innovative, about newness and on-trend prints. We take orders both from the fast fashion and high-end market."
For Somers, the new internship award is great news. "We are very excited about it. Miroglio is very progressive with technology, such as the Evolution project to make products and inks truly sustainable within 20 years. And the state-of-the-art digital printers are incredible."
For winner Charlotte Hetheridge, it's going to be a great experience. "I can't wait to push my work to the next level," she says.
Texprint 2014: Indigo, Paris
18 September 2014 by Roger Tredre
Texprint's 24 young designers had their first taste of the international arena in Paris at Indigo at Première Vision Pluriel. They exhibited their work in the textile industry's leading global marketplace.
© Kaila Cox
The Texprint year reaches its climax in September in Paris at Indigo, the show for creative textile designers which is a long-established part of the giant Première Vision Pluriel exhibition.
Here, Texprint's 24 designers, carefully selected after a long and intensive interview process, and all recently graduated from BA and MA courses in UK universities, exhibit their work for the international industry to view.
Indigo (September 16-18) is a must-see for PV visitors – and Texprint's decades-long association with the event ensures the young designers have a high profile. The results can be remarkable: over the years, designers have received job offers on the spot; commissions from leading international brands; and plenty of hard-cash orders.
This year was no exception. The first orders for Texprint designers were placed within the first hour of the show opening. Charlotte Beevor, a print designer who studied at Leeds College of Art, said: "I sold four designs within an hour and 12 designs in the first day. It's been amazing!"
© Aline Nakagawa de Oliveira
For obvious reasons of commercial confidentiality, we can't reveal all the details – but there were some very happy faces by the end of day one, despite the difficulties of not knowing quite how much to ask for. "The pricing is a real challenge," noted Jessica Stewart, a print designer who studied at Loughborough University Design School. "You have to learn not to be too precious about it."
In truth, selling is not the priority for the designers. The Indigo experience is much broader than that. It's about learning from the professional response to work that has often been conceived within the protective cocoon of university. This is invaluable, whether or not orders are placed.
The second day of the show concluded with the presentation of the Texprint awards by celebrated Italian textile designer Nino Cerruti, who judged the Woolmark Company Texprint Award with Agi Mdumulla and Sam Cotton of hot British menswear brand Agi & Sam. Mdumulla and Cotton loved judging alongside Cerruti: "Our tastes came together despite being of different generations."
© Jonny Wadland with Nino Cerruti and Agi & Sam
Cerruti, a legendary figure in the industry, was keen to pass on his experience. "The world is full of crazy artists, but we are not in the world of pure art – we are in industrial design," he said. "It is easy to have a new idea. It is very difficult to have a new idea that sells."
The newness of the idea is important. One of the reasons buyers return again and again to the Texprint stands at Indigo is to find fresh creativity – to see exciting new work not yet too watered down by the demands of the fiercely competitive commercial market. Even if the technical challenges of producing the designs might be tough.
Mixed media designer Fedrica Tedeschi, from Switzerland, who studied at Central Saint Martins and the Royal College of Art, works with embroidery, weave and print and decided not to simply sell the work she had on display but to use it as a springboard for commissions. "A lot of my stuff is hard to reproduce in a commercial sense, so the wovens are fine but digital embroidery is still quite new in the market, so people are not quite sure how they would get it into production." So the commission approach worked? "Yes, I've been saying, how about if I design something for you instead? I got four commissions on the first day."
© James Skinner
Texprint aims to give its designers the tools and reassurance to follow their own creative paths. Jane Zhang, a Chinese designer from the Royal College of Art, who won the Texprint Award for Pattern, said: "It really does help to build my confidence. I'm very happy that the award was for pattern."
The other winners were Charlotte Beevor (Colour), Georgia Fisher (Space), and Federica Tedeschi (Body), with Tali Furman winning the Woolmark Company Texprint Award and Charlotte Hetheridge the new Miroglio Texprint Award for Digital Innovation.
And after Paris? The world awaits. Some are off to Como in Italy for internships. Others are heading to China for Intertextile Shanghai in October. The winners of the Lululemon Texprint Internship Award will be on their way to Vancouver. The next few weeks will be full of suitcase packing and visa form filling...
Although not all 24 designers could win an award, showing at Indigo was a great experience for all. As designer Francesca Stride put it: "Texprint is such a great opportunity – just being part of it is very special. There is nothing else like it."
Texprint 2014 designers with Nino Cerruti and Barbara Kennington (Texprint chairman)
Review of the year - Texprint 2013: Trained in Britain
31 December 2013 by Editor
Since early in 2013 when new initiatives were tinged with a certain financial caution, I’m delighted to confirm that Texprint made strong progress throughout the year, with some considerable success on the sponsorship front.
The Texprint mantra of ‘supporting creative futures’ has never been more true than in 2013. Under the aegis of our Trained in Britain initiative Texprint introduced a new Hero Mentors scheme, and with sponsors The Drapers’ Company has also initiated a pilot for longer-term Trained in Britain internships in industry, the first with Pattern Prize sponsor Liberty Art Fabrics, which will take on its first Texprint Innovation Intern in January 2014.
The support shown by Texprint alumni for the Hero Mentors scheme has been outstanding - 24 new alumni matched with 24 established textile designers, passing on their wealth of personal experience and deep understanding of the textile, fashion and interiors industries to the next generation of textile talent, helping to make the period of experience gathering between graduation and eventual career even more meaningful.
All our Hero Mentors are highly regarded in the textile industry, a significant number run their own international businesses, and many already give their valuable time to join the rigorous Texprint Selection Panels. We are extremely proud of the strong relationship Texprint has maintained with its alumni over the years and continue to feature many success stories on our website.
Back in July 2013, the Texprint London event, where the selected designers exhibit together for the very first time, was rethought through necessity to create a ‘pop-up gallery’ feel (the gallery space kindly donated by Chelsea College of Art & Design). Having decided to forego the private view, stand build and alumni display of past years, the impact of this new approach was surprisingly positive with the invited visitors spending much more time than previously reviewing work and talking to each of the designers, who found this an invaluable experience. The judging of the Texprint Prizes, donated by The Clothworker's Foundation, Liberty Art Fabrics and Pantone, and the second Lululemon Texprint Award, also took place at the event.
In Paris in September, through the generous sponsorship of Première Vision SA, the Texprint designers once again exhibited at Indigo/PV alongside professional studios; the designers’ stands ranged together down a ‘street’ in Hall 5 giving visiting international buyers and press the ideal opportunity to review the diverse and highly creative work of the 24 Trained in Britain designers. The judging for the third Woolmark Texprint Award also took place at Indigo. See photo reports, here and here.
For the first time a film documenting the Texprint designers’ Indigo experience was made - this kindly funded by Dominic Lowe of the Sanderson Art in Industry Trust, and created by RA Collaborations. Sponsors, designers and management all contributed, telling the story of the event in a new and vibrant manner. The resulting short film can be seen on the Texprint website.
2013 also saw Coutts generously hosting its second Texprint dinner at their headquarters on the Strand in London; an exciting new collaboration with interiors specialist Surface View; and for the first time, thanks to sponsor Messe Frankfurt (HK), an opportunity to exhibit the prize winners work at what is now the major Asian textile fair, Intertextile Shanghai.
Florence Angelica Colson, Texprint 2013, delightfully, sums up her experience: “Texprint for me has been the best thing I could have wanted to happen to me after graduating; it’s been an amazing opportunity. From the word go, great things have come from being part of Texprint - after the London exhibition I was selected to licence designs to Surface View, I was chosen to go to Italy to intern for 2 months, and although I did not know at the time, I won one of the Lululemon Texprint awards.
Italy was a weird and wonderful experience and from this I also ended up exhibiting at Mare di Moda, Cannes, which without Texprint I definitely would not have done! Also being handed the means to exhibit and trade at Indigo in Paris under my own design name was amazing and something that none of us would have been able to do by ourselves without the help and support of Texprint. Texprint has been a brilliant support network, both mentally and financially, and the other Texprinters have become like a little family to me after the experiences we have shared! Anyone chosen for Texprint is very lucky and I am so grateful for everything.”
Texprint sponsors have long understood the vital importance of reinvigorating their industry by encouraging creative young textile designers to form part of their future heritage.
Our heartfelt thanks to all our sponsors for their support, their vision, and for their steadfast investment in the next generation of Trained in Britain textile designers - and our very best wishes for 2014.
In the loop: Texprint 2012’s knitwear specialists
17 February 2013 by Editor
Knitwear continues its resurgence embraced by emerging designers who continue to transform its traditions into exciting contemporary textiles, both for fashion and interiors. Texprint 2012 revealed some wonderful work by talented newcomers.
RCA MA graduate Carlo Volpi scooped the Texprint 2012 Body prize for best fashion fabric. He describes himself as “a man who knits”, but this description downplays this imaginative designer’s clever, innovative output. His eclectic design references include the Italian Constructivists, the Mexican tradition of the Day of the Dead, masks, superheroes and comic book characters. By creating bold and colourful menswear, Carlo harnesses traditional knit techniques in a fresh and eclectic manner. Alongside his freelance commissions, Carlo now writes a blog for www.knittingindustry.com
Carlo Volpi with Sarah Rutson and Ross Urwin of luxury retailer Lane Crawford HK
Japanese designer Azusa Dannohara creates dramatically colourful and sculptural knitted pieces. Her distinctive work is inspired by paganism, rituals and dance and plays with unusual colour combinations and mixed fibres such as merino wool and linen.
Azusa Dannohara on her stand at Indigo Paris
Catherine Hodgkinson’s accomplished designs are based on natural textures such as rocks and stones worn smooth through time, or gritty, earthy surfaces. Finely drawn observation work is translated into highly desirable fabrics through a sensitive selection of yarn and subtle colour. Catherine also adds devoréand discharge printing techniques to further add to the delicacy of her pieces.
Textile: ©Catherine Hodgkinson
Heriot Watt-trained knit specialist Charlotte Crombie’s work for domestic interiors was inspired by a trip to Zanzibar. Her final year collection, using lambswool and cashmere, was based on the decorative patterns and colours of Morocco.
Textile: ©Charlotte Crombie
The landscape of Guri Pedersen’s native Norway is a rich source of inspiration. References to national costume, folk traditions and the landscape are incorporated into a rich mix of textures and felting techniques that she mixes to create her highly distinctive knitted fabrics.
Sketchbook: ©Guri Pederson
Working her magic with knits for womenswear, MA graduate Sarah Burton takes a clever mixed media approach which results in rich and surprising textiles. Sarah - who has already been snapped up by textile design company Acorn Conceptual Textiles in Nottingham - incorporates decorative metal rings, hooks and buckles in her beautiful pieces created with silk, cotton and viscose.
Textile: ©Sarah Burton
The Texprint 24: Indigo highlights 2012
02 October 2012 by Editor
For the Texprint 24 the textile design show Indigo provided their first experience of exhibiting and selling their work alongside professional, established designers.
This prestigious showcase in Paris, September 19-21, is a fantastic platform for the emerging designers and vital to Texprint’s aim of helping to launch the careers of some of the best British graduates, the experience helping to shape the designers’ individual future plans.
Chairman Barbara Kennington was delighted to host this year’s event. “British creativity has been in the spotlight this year; creativity that comes in large part from encouraging diversity, excellence and high achievement in all design fields, and especially in fashion and textiles. Smart companies are looking to tap into this rich seam of British-trained talent and connecting with Texprint to support new textile talent.”
Overall Indigo 2012 was the best ever in terms of sales and contacts for the Texprint designers.
Sales to North America were particularly good, with Kayser-Roth Corp from North Carolina buying well; Lululemon Athletica (Texprint Foundation Sponsors), Hollister/Abercrombie & Fitch, Rachel Roy, Tracey Reese and Nike among others, also bought strongly.
Asian and European buyers were out in force too. From Europe: Tara Jarmon herself bought for junior line Mademoiselle Tara, and among others Nelly Rodi, H&M, Topshop, Boden, Custo, Desigual, Guy Laroche, White Stuff, and MD Gera, the German fashion prints manufacturer, were noted.
Buyers at Ying Wu stand
Conversations with these buyers gave the Texprint designers a unique opportunity to explain their inspiration and their work. Aside from individual sales, many freelance opportunities arose, as well as firm job offers and commissions.
Print designer David Warner notes: “It was such an invigorating experience to meet with buyers, agents, and industry experts. Getting their insight into what they thought of my designs and explaining who I am as a designer, gaining important contacts along the way. The whole experience will live with me and help to inform my future work.”
Philippa Watkins, journalist and RCA senior tutor, at Sophia Fenlon stand
Guido Tettamanti and Marco Taiana, representing sponsors Confidustria Como and the ComON creativity week, again endorsed their support for the programme. This year they have offered six designers an invaluable opportunity to experience working with Italian companies based in and around Como (up from two last year): Alice Howard-Graham, Manri Kishimoto, Sophie Manners, Israel Parra-Zanabria, Sophie Reeves and Amber Sambrook.
Woolmark Texprint Award judges at Lisa Bloomer stand
The Woolmark Texprint Award in Support of Campaign for Wool was judged at Indigo by James E Sugden OBE, director; James Dracup, group managing director, both of Johnstons of Elgin; and Masahiro Oono, textile design project manager of Japanese specialist wool weaver Nikke, and won by weaver Sophie Manners.
The highlight of the three-day event was the prize presentation. This took place on 19 September within a special section of the Texprint village where Texprint chairman Barbara Kennington welcomed the esteemed fashion and trend forecaster Nelly Rodi as the guest prize presenter.
Nelly reminded the audience of buyers, press and design professionals of her passion for nurturing young talent and her long-held admiration for the British design education system: “British schools seem take a much freer approach to educating their students, mixing different approaches such as photography, art and fashion, leaving the student to express himself, without imposed rule…Freedom gives a lot of energy to fashion.”
Nelly presented the winners of the four Texprint awards with their cheques: Carlo Volpi, winner of the Body Prize; Tania Grace Knuckey, winner of the Space Prize, Manri Kishimoto, winner of the Colour Prize; and Ying Wu, winner of the Pattern Prize.
Also saying a few words at the event were Gilles Lasbordes of Indigo/ Première Vision, and Peter Ackroyd of The Woolmark Company and Sheree Waterson of Lululemon Athletica; both companies Foundation Sponsors of Texprint.
Peter emphasized The Woolmark Company’s focus on “education, education, education” and again reiterated their desire to ensure that young designers are encouraged to work in wool, and to understand both its properties and its potential for fashion and interiors markets.
Peter Ackroyd of The Woolmark Company, Sophie Manners, Rebecca Sharp of The Woolmark Company, and Nelly Rodi
Sheree created a buzz of excitement with her no-nonsense “Texprint rocks!” accolade. Since becoming Foundation Sponsors earlier this year, Lululemon has shown itself to be the most enthusiastic and forward thinking of companies. Sheree’s original plan to employ one intern to work in Vancouver for three months soon became two interns - Manri Kishimoto and Sophie Reeves - as Sheree realized she could not choose between them when making her selection back in July at Texprint London.
Lululemon believe that working with Texprint and its exciting young designers is the very best way of driving innovation into their design process and of giving back and nurturing the next generation. An attitude we strongly applaud.
Buyer at Fergus Dowling stand
Print designer Trinity Mitchell sums up the designers’ appreciation for Texprint and in turn Texprint’s sponsors: “I can't express just how grateful I am to all of you at Texprint. I have had such a wonderful time and I am so thankful to have been part of it all. I never would have made the contacts I did if it weren't for Texprint, and I look forward to those contacts hopefully turning into jobs and work!”
Weaver Sophie Manners wins Woolmark Texprint Award
27 September 2012 by Editor
Weaver Sophie Manners was selected as winner of the second Woolmark Texprint Award in support of the Campaign for Wool last week at Indigo, Paris.
Sophie, a graduate of the Royal College of Art, won the prize for her superb woven textile designs developed with 60% or more Merino wool. The prize has been created in support of the Campaign for Wool with Patron HRH The Prince of Wales and honours the inventive use of wool in textile design.
Texprint chairman Barbara Kennington, Sophie Manners, prize presenter Nelly Rodi and Peter Ackroyd of The Woolmark Company
The prize was judged at Indigo by James E Sugden OBE, director; James Dracup, group managing director, both of Johnstons of Elgin; and Masahiro Oono, textile design project manager of Japanese specialist wool weaver Nikke.
They selected Sophie out of the 24 shortlisted designers taking part in the Texprint programme this year, all of whom presented their work at Indigo. She received £1,000 in prize money, which was presented by this year’s Texprint prize presenter, the esteemed trend forecaster Nelly Rodi, and The Woolmark Company's Peter Ackroyd. As part of her prize, Sophie will also have access to training on the benefits and uses of wool through her nearest Woolmark Company office.
Nelly Rodi selects fabrics from Sophie's collection
Sophie loves colour and texture and being playful with these two elements. It was her reinvented traditional woven pieces on the theme of hair and fur, and her experimental approach to constructing fabrics with often unexpectedly tactile surfaces, that caught the judges attention.
Sophie’s weave tutor at the RCA, Philippa Watkins, says of her work: “Sophie is a clever weaver with a good grasp of woven techniques, including a velvet technique, which she explores to great effect using a variety of yarns and materials to create some extraordinary surfaces with a sometimes very surprising touch.”
Mr Sugden said the judges selected Sophie because of her technical excellence and the commerciality of her weave designs. She has a distinctive style and Mr Oono praised her tremendous imagination.
The Woolmark judges also commended printer Israel Parra-Zanabria, a graduate of Glasgow School of Art, for his translation of ideas to commercial execution.
Indigo success: Texprint designers exhibit at Indigo, Paris
22 September 2012 by Editor
Texprint celebrated the achievements of the creative world's most exciting new textile design talents at last week's successful showcase at Indigo, Paris. Legendary fashion and trend forecaster Nelly Rodi presented this year's special prizes. Texprint chairman Barbara Kennington was joined on stage by Nelly Rodi and sponsors Peter Ackroyd of The Woolmark Company, Sheree Waterson of Lululemon Athletica and Gilles Lasbordes of Indigo/Première Vision.
Chosen for their creative flair, technical skill, and individuality in knit, weave, print, stitch and mixed media design, as well as a readiness to enter their professional lives, the 24 selected designers are the best of the best from around the globe - all trained in Britain.
More reports to follow.
Texprint Paris special prize presenter 2012: Nelly Rodi
16 September 2012 by
“I’m delighted that Nelly Rodi has agreed to be this year’s special prize presenter at Indigo,” says Texprint’s creative director Peter Ring-Lefevre. Indeed, the entire Texprint team are thrilled to welcome the esteemed creative director and founder of the eponymous trend forecasting company to the podium of the Texprint Village at Indigo, Paris, on Thursday 20 September at 3.30pm where she will be guest of honour at the annual prize ceremony.
Mme Rodi herself has been recognised for her achievements in the world of creation, receiving the Legion of Honour in 1998 from the French President and Officer of the Legion of Honour in 2009.
She founded the NellyRodi Agency in 1985 and the company counts the cream of international fashion and beauty brands such as L’Oréal, Tommy Hilfiger, Marks & Spencer, PPR and LVMH among its clientele. The Agency is known for providing a very sophisticated forecasting service, founded on research and analysis, which considers sociological, creative and marketing influences on future trends. As well as publishing regular Trendlab® forecasting books across several markets and end users, the company works extensively on brand repositioning and bespoke consultancy projects.
Peter is full of praise for the way in which Nelly approaches creative development and design work and recalls working on a project with her in the early 1990s when he was product development manager, menswear, at the The Woolmark Company office in Paris (then called IWFO and part of IWS).
“Nelly had a wonderful way of understanding wool as a natural fibre. She stretched the imagination and technical side of what could be achieved with the fibre in the developing stages,” he says. “She had lots of new ideas, right down to the benefit for various consumer levels. She has a very thorough way of working.”
Texprint takes an equally rigorous approach to selecting the most dynamic and talented new textile designers from UK art schools and universities to take part in the annual mentoring programme.
“British schools seem take a much freer approach to educating their students, mixing different approaches such as photography, art and fashion, leaving the student to express himself, without imposed rule…Freedom gives a lot of energy to fashion,” says Nelly.
As a creative force with a deep understanding of the fashion and interiors industries, Nelly will offer a wealth of advice to the 24 selected textile designers when she visits the designers’ stands at Indigo, part of Première Vision Pluriel. She says she is interested in work that has “an artistic approach, close to an artistic concept, mixed with texture and colours. For drawing, I look for hand-drawing and motifs which are not too commercial or based on actual trends. Technology comes after...”
“Nelly understands that the industry needs to be behind young and creative textile designers,” says Peter. Indeed, Nelly says: “The younger generation brings a lot of positive energy and modernity needed by our ‘old’ textile industry. We find new approaches by looking after the work of the new generation.”
She signs off with the following advice for new graduates: “Don’t be depressed by the textile recession. Make direct contact with leading international garment brands. Keep your freshness and freedom. And dare to create what you have in your hearts.”
Thank you Mme Rodi, we look forward to seeing you in Paris.
For more information about Texprint and to arrange an interview with Nelly Rodi at Indigo, Paris, ahead of the prize presentation at 3pm on Thursday 20 September please email email@example.com or call Delphine Thwaites on +44 (0)20 7250 0589.
Woolmark Texprint Award judge: James E Sugden OBE, director of Johnstons of Elgin
13 September 2012 by
The Woolmark Texprint Award in support of Campaign for Wool will once again recognise a Texprint designer who excels in the use of Merino wool in his or her fabric design. The winner will be chosen from this year’s 24 Texprint new graduate designers who will present their designs at Indigo, part of Première Vision Pluriel, Paris, September 19-21, 2012. Texprint and Woolmark are proud to introduce James E Sugden OBE, director of Johnstons of Elgin, who will be combining his seasoned opinion with fellow judge Masahiro Oono to pick this year’s winner.
In his 20 years at Johnstons of Elgin, Mr Sugden successfully developed the company’s worldwide reputation for woven and knitted fine cashmeres and woollens. It now counts the likes of Burberry, Chanel and Louis Vuitton as esteemed clientele. He currently applies his expertise to Johnstons’ knitwear mills in Hawick; continuing to cultivate the UK’s largest independent vertical woollen manufacturer. Mr Sugden was awarded a prestigious OBE in 2011 by HM The Queen for his contributions to the textile industry and is considered an international aficionado on luxury textile manufacturing.
Mr Sugden brings over 40 years’ textile manufacturing experience to the judging panel and is keen to support the next crop of British-trained design talent: “It’s important to nurture the immense amount of talent that the UK has to offer at the earliest stages of a designer’s career. Texprint gives them a platform that they wouldn’t have access to otherwise to internationalise their talents.”
A recent resurgence of UK-based manufacturing has been led by businesses looking to support well-made product. As the Johnstons customer moves away from low added-value products, they look for ways to set themselves apart from the crowd. Mr Sugden insists that “customisation is the key to differentiating product” and has ensured that Johnstons has the capacity and technology to cope with demand.
“The technology is there, but it’s the creative spirit that drives us forward,” he says. “If we don’t push the boundaries, the industry will never progress. That’s why we need young designers with conviction and the boldness of youth.”
The design talent coming from the art colleges here in the UK is revered worldwide and Mr Sugden believes that it’s crucial to help young designers find a platform for success. He hopes to find someone with “a focused perspective and a comprehensive knowledge of colour, weave and texture” to champion the Woolmark Texprint Award.
Woolmark Texprint judge: Masahiro Oono from Japanese wool specialist Nikke
11 September 2012 by
Textile designer Masahiro Oono from Japanese wool specialist Nikke joins judging panel for the 2012 Woolmark Texprint Award in support of Campaign for Wool prize.
Versatile, strong and natural: Merino wool provides textile designers with yarns and fabrics which are luxurious and sustainable, whether used in interiors or in apparel. The Woolmark Company, the not-for-profit organisation owned by over 29,000 Australian woolgrowers, invests in research, development, innovation and marketing along the global supply chain for Australian wool — the largest source of this noble fibre.
The Woolmark Company encourages new designers to explore the design possibilities and benefits of Merino wool through the sponsorship of the second annual Woolmark Texprint Award in support of Campaign for Wool. The award recognises design excellence in fabrics created with 60% or more Merino wool, whether presented as printed, woven, knitted and/or mixed media fabric.
A winner will be selected from among the 24 designers who will show their work in the Texprint village at Indigo, which is part of Première Vision Pluriel, September 19-21, 2012. The Woolmark Company and Texprint are delighted that experts in woollen textile creation will be choosing the winner.
In the first of two profile focuses on the judges, we speak with Masahiro Oono, project manager of Nikke Group’s textile design and marketing department in the Osaka-based organisation’s textile and clothing materials division – otherwise known as the Japan Wool Textile Co Ltd.
Nikke was established over 110 years ago, starting as a manufacturer of wool products and has since expanded into six different domains with the aim of providing “products and services to meet customers’ demands and make a contribution to society”. Its textile and clothing materials division includes the development, manufacture and wholesaling of products for apparel primarily incorporating wool. Like wool, Nikke’s corporate philosophy is to be “gentle and warm toward people and the planet”.
On meeting with Mr Oono on Nikke’s stand at textile exhibition Première Vision, Paris, he presents what he describes as the company’s signature fabric: a superfine wool chiffon gauze weighing 120g per meter which costs in the region of €35 per meter, which puts it in the realm of luxury brands. Indeed, he lists Hermès, Louis Vuitton, Jil Sander and Burberry as top customers.
The most popular colours selected by buyers in February were sky blue or mustard, however for Mr Oono, achieving technical excellence is more important than using colour in design: “Nikke has a long history and a large archive, and we do a lot of work from the archive. I try to do what other can’t or aren’t able to do.”
Mr Oono joined Nikke 25 years ago. With two generations of kimono artisans in his family, he says his parents were happy when he decided to study fashion and textiles. “Since I was a child I have liked clothing. When I was deciding what to do at university, new stylists such as Yohji Yamamoto were coming through and I wanted to do something in this field,” he explains.
To the question ‘why would you recommend that new textile designers experiment with wool?’ he replies with another question: “Maybe students think that wool is thick and not interesting? But high end wool has so much potential. It’s important to know the possibilities of wool. If you don’t know wool and wool fibres you will never become a good textile designer.”
Mr Oono is a great advocate of wool and praises its inherent nature: “It’s natural, and comes from sheep and there’s a long history of man weaving sheep’s wool. You can do so many things with it: felt, twill, crêpe... there are so many possibilities. It’s also strong.”
As a Woolmark Texprint Award judge, he says he will be looking for designs that show “something unusual, that no one else has thought of, a new way”. As well as lending his expertise in judging the competition, Mr Oono will be a source of advice and inspiration for the 24 designers taking part in Texprint this year as he meets them and reviews their design work while looking for the winner: “We need young people – we need new ideas. Textile design is very creative work, work that gives you the possibility to realise your dreams.”
Paris Fashion Week: Chloe Hamblin for Roland Mouret
15 March 2012 by Editor
Chloe Hamblin (winner of the Texprint 2011 Colour Award) is now working as a surface designer at Roland Mouret, having first made contact with the designer at the Texprint Village at Indigo/Première Vision last September 2011. Read more...
Mouret’s signature modern lines and origami folds were softened for his autumn/winter 2012 collection by Chloe’s subtly manipulated snow leopard print. A most successful debut design, we love it.
Paris Fashion Week: Lauren Bowker for Peachoo + Krejberg
02 March 2012 by Editor
When highly innovative designer Lauren Bowker (Texprint 2011) told us some while ago that she was working on a top secret project for Paris Fashion Week and that it involved working with hundreds and hundreds of feathers – we were intrigued! Now we can see the results, three amazing quill head-dresses for Paris-based Peachoo + Krejberg – a contact she made while showing with Texprint at Indigo/Première Vision in September 2011.
Lauren Bowker for Peachoo + Krejberg
This post courtesy of ARTS THREAD. See Lauren Bowker’s portfolio on ARTS THREAD with its video of the colour-changing feather structures that she created for her graduate show at the Royal College of Art.
Harriet Toogood wins first Woolmark Texprint Award
25 September 2011 by
The first winner of the new Woolmark Texprint Award in support of the Campaign for Wool was chosen on September 21 at Indigo, Paris.
Woven textile by Harriet Toogood.
Harriet Toogood, a graduate of the University of Brighton wins the inaugural prize for her superb woven textile designs which were created with 60% or more Merino wool. The prize has been created in support of the Campaign for Wool with Paton HRH The Prince of Wales and honours the inventive use of wool in textile design.
The prize was judged by Douglas Cordeaux, Managing Director of Fox Brothers & Co and Keith Walker, Managing Director of Linton Tweeds - and presented by renowned designer Agnès B. They selected Harriet out of the 24 shortlisted designers taking part in the Texprint programme this year, all of whom presented their work at Indigo. She recieved £1,000 in prize money at the event, which was presented by Woolmark's Peter Ackroyd. As part of her prize, Harriet will have access to the Woolmark Company and it's global support network.
Harriet's highly individual approach includes incorporating discarded materials such as brightly coloured nylon string, black bin bags and plastic sacking alongside wool in her work to create bold, contemporary woven textiles. She adds the coveted Woolmark prize to the Texprint Space prize she scooped at Texprint London in July.
Woolmark judges at Indigo
Speaking on behalf of the judges, Keith Walker said that they had selected Harriet because of her creative use of Merino wool and other materials. He said, "As a weaver, I recognise what she has created: she uses different weaves and a combination of materials - wool included - to create something very unusual, but also practical, it was what I was hoping to find in a winner, and it's what she's achieved".
The Woolmark judges also commended weaver Amy Jo Lewis, a recent graduate from the RCA, for her excellent work.
Douglas Cordeaux and Keith Walker choose the Woolmark prize winner
07 July 2011 by
Merino wool is one of nature’s greatest bounties; whether used in interiors, for knitwear or in fine worsted cloth, wool will provide you with a fabric that is natural, luxurious, renewable and durable.
Woolmark International, the not-for-profit organisation owned by over 29,000 Australian woolgrowers, invests in research, development, innovation and marketing along the global supply chain for Australian wool — the largest source of this noble fibre.
Woolmark is keen to highlight the versatility and benefits of Merino wool and has joined forces with Texprint to sponsor the Woolmark Texprint Award in support of The Campaign for Wool. The award recognises design excellence in fabrics created with 60% or more Merino wool whether presented as printed, woven, knitted and/or mixed media fabric.
Douglas Cordeaux, managing director of Fox Brothers & Co, and Keith Walker, managing director of Linton Tweeds, will select a winner from among the 24 designers who will show their work in the Texprint village at Indigo, which is part of Première Vision Pluriel, from September 20-22, 2011. As judges Douglas and Keith will use their expertise in producing luxurious, fine 100% woollen fabrics to guide their choice of winner.
Douglas began his career in textiles at the Chelsea School of Art in the 1980s and has since been a design consultant and textile advisor to a range of brands before heading a company that has been creating world-renowned cloth for over 200 years.
He says: “Texprint provides an invaluable bridge between the emerging talent of young textile designers in Britain and commerce. As the owner of Fox Brothers, one of the oldest surviving woollen mills in the UK, I'm delighted to be involved with this year's new award.”
Douglas is passionate about the fibre: “Wool is and always has been the fibre of choice for fine tailoring. Looking back through the extensive Fox archives you can see the lasting, durable quality of wool and how it holds dyes and different finishing processes to create all manner of cloth styles and weights.”
Douglas says he’s encouraged to know that Texprint’s new designers will be working with Merino wool: “We'd welcome any of the graduates to visit our West Country mill to see how we've used wool from Australia and Britain to create world renowned cloths since 1772.”
Linton Tweeds has been creating 100%woollen fabric for a century and initially became famous through its collaboration with pivotal 20th century designer Coco Chanel. Keith is the second generation of his family to head Linton Tweeds and he offers a different perspective on working with wool.
“As manufacturers of the world’s most innovative fabrics, Linton’s future depends on the continued development of Britain’s outstanding design talent,” says Keith. “We are happy to support the new Woolmark Texprint Award because we feel that wool provides a unique opportunity to showcase such talent.”